Wednesday, May 25, 2016

Little Women and The Hobbit: A Text Pairing



An argument may be made that Louisa May Alcott’s quintessential coming-of-age classic Little Women is a difficult text for educators to spark interest in the ever-increasingly jaded pallet of today’s young adults. I’d like to counter that by suggesting a literary pairing with J. R. R. Tolkien’s The Hobbit to encourage and entice, inspire and connect as a classroom introduction to a (hopefully) lifelong love of reading. To that end, I propose a comparison of the two stories and their characters, themes, and philosophies.

First, our protagonists:  From Little Women, the inestimable Josephine “Jo” March is arguably one of the most beloved female characters in classic American literature. She is feisty, loyal, hard-working, intelligent, and defiant. The character is celebrated as a strong feminist role-model and continues to delight readers of all ages and backgrounds.

From The Hobbit, we have Bilbo Baggins. He is fond of good food, his hearth and home – creature comforts, in other words. But just as there is more than meets the eye with Jo March, so it is with Bilbo Baggins. I believe many parallels may be drawn between the two characters, knitting their seemingly disparate stories together in a way that may be used to engender an appreciation of literature by classrooms of youthful readers. Among a few of the themes that could foster discussion:

1.     Both stories entail “journeys” that include personal growth; leaving behind “home” and comfort; and, often-changing expectations and personal bias (for example, Jo goes to New York; Bilbo to the Lonely Mountain – what happens to them during these trips?)

2.     Loyalty – to one’s family and friends

3.     A desire for material things (a larger home, money/gold, a higher position in society) versus how that desire (or even greediness) may come at the expense of other, more important intangibles

4.     A willingness to take a chance and be open to new things, ideas, people



Using these themes, or prompts, a class conducting a side-by-side study of both books may point out how comfortable Bilbo is, and yet how his comfort has left him stagnant, and worried about his status and reputation in the community:

We are plain quiet folk and have no use for adventures. Nasty disturbing uncomfortable things . . . I can’t think what anybody sees in them . . . Then he took out his morning letters, and began to read, pretending to take no more notice of the old man. He had decided that he was not quite his sort, and wanted him to go away. (Tolkien 18)

While Jo, the admitted tomboy, revels in her chosen, non-traditional position:

No gentlemen were admitted, so Jo played male parts to her heart's content and took immense satisfaction in a pair of russet leather boots given her by a friend, who knew a lady who knew an actor. These boots, an old foil, and a slashed doublet once used by an artist for some picture, were Jo's chief treasures and appeared on all occasions. (Alcott 15)

Classroom exploration may include debates regarding Bilbo’s evolution from a timid homebody to a stalwart friend, someone who can be called upon in a time of crisis - brave even, or does he?  “The Tookish part was getting very tired, and the Baggins was daily getting stronger. ‘I wish now only to be in my own arm-chair.’”  (Tolkien 278)   By contrast, Jo begins her story as a self-identified rebel; by the end of the book, the reader sees that she has succumbed to a type of societal status quo by marrying. Through perhaps class or small-group discussions, dialogue as to how these characters change and adapt could be introduced, comparing and contrasting how they may be seen to evolve/devolve, depending upon one’s point of view and argument.

Theme analysis of both books may also foster questions related to whether or not the pursuit of material wealth comes at the cost of one’s morality, goodness, and even a place to call home. Throughout The Hobbit, we witness the effect greed has – the dwarves lose their home as a result of greed, which sets the stage for one hardship after another during their quest. So, a question could be posed to the class that, with respect to Little Women and The Hobbit:  Does greed, or even simply the desire for more possessions, actually lend itself to the loss of the truly important things in life:  home, family, friends, a sense of security?

Although not an all-inclusive list of points that could be made by a pairing of these two texts, hopefully they have been enough to show that two outwardly dissimilar books may provide a springboard upon which to spur discourse and interest in both “the classics” and reading in general.



Work Cited

Alcott, Louisa May. Little Women. Free-eBooks.net. Web-book.com, n.d. PDF. 21 May 2016.

Tolkien, J. R. R. The Hobbit. New York: Ballantine Books, 1978. Print.

6 comments:

  1. Kelly,

    There are several things I love about this response:
    1. You have paired a classic with a text that is vastly different at first glance.
    2. The pairing text is a fantasy text.
    3. The pairing text would appeal to male readers.
    I can tell you that I would have never read Little Women in a high school classroom if it were in my curriculum. However, if my teacher presented Little Women and gave us some foreshadowing as to how we would later use it to discuss the Hobbit...suddenly, I would read Little Women without a second thought. This pairing is so intriguing that I feel students will be more engaged in the reading process just so they can see what it is you could possibly ask them to do with Little Women and the Hobbit.
    My own critical analysis would argue that Bilbo's journey turns him into a Jo and Jo's journey turns her into a Bilbo. I do not personally see these two characters starting out in the same place, but it is very interesting that they seem to swap places throughout the course of their narratives.
    This use of a "journey," though, is one that will be very important to your classroom. When we normally teach the "journey" it is in the form of a classic epic such as the Odyssey. Mariah has already mentioned in class that the Odyssey has the potential to be too much for certain grade levels. I believe that using these novels (or something similar) as the students' first ever introduction to the journey (both physical and psychological) would be an amazing tool for your classroom.

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    1. Shelby,
      Let me say that I really liked your critical analysis re: the journey. That is precisely what I was thinking – that Bilbo and Jo truly do seem to swap roles. Honestly, I cut out paragraphs that spoke to that exact theme. Mariah and I had talked before class, and as she posted, she said that she could see this response paper as a thesis/project. She was absolutely correct, ‘cause I found that I had WAY too much for the response, and that too has been a lesson for me. Unwittingly, I chose a topic that took on a life of its own!
      Another point that you made about the journey (that it could be used as an introduction to all sorts of “trips”) is something that I hope to be able to put into practice one day. Strangely enough, I toyed with pairing Little Women with The Odyssey . . . Can’t you hear the groans, though, from the entire class, as I stumble around, trying to explain the Greek pantheon of gods and goddesses?!

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  2. Kelly,

    This is very well said and as we discussed in class this week before other people came in, you could really turn this into a larger paper, even a thesis! I do agree so much with Shelby on how attention grabbing this would be for students in a classroom. Many do not like Little Women. It would be pulling teeth for young, adolescent boys to even read beyond the first chapter, and it is hard for young ladies to agree with the structures women were confined to (especially for a raging liberal feminist like myself haha!)

    However, the idea that you could teach a classroom that Little Women and The Hobbit (which is clearly very popular among the current generation) is the kicker here!

    Along with Shelby's point, I also believe Jo and Bilbo seemingly switch places after this journey. You could talk about the significance of both! What does it mean to take a journey and find yourself back home, compared to taking a journey and finding a new place that you will now call home? This juxtaposition is worth another look at--especially if you decide to expand this for your final project!

    Great job! I really enjoyed reading this after we briefly spoke about it!

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    1. Mariah,

      First, I want to issue a sigh of relief . . . that I finally got the response paper posted! That sigh is doing double duty, because I SO appreciate everyone’s input. Second, I love the fact that you picked up on exactly what I was aiming for, namely a way to pique interest in Little Women, regardless of gender, while at the same time acknowledging that not all books are for everybody (shocking, I know). I hope I’m able to try this pairing in the real world. I really want to pass on my love of reading to subsequent generations. As we discussed today, not every student is going to share my tastes (or those of the Board of Education!). That’s OK. But, I will count it as a “win” if any of those students come to me, argue their points against, and hold their own. Maybe, at the end of the day, that’s what we’re all striving for: encouraging the independent thinker.
      You’re also correct re: the possibility of expanding this as my project. If I choose that option, it will be in no small part to your encouragement. Thanks!!

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  3. Kelly,
    I really enjoy this pairing especially since it is one I never would have thought of.
    The two books are so different yet you found a way to connect the two.
    Your parallels are interesting and I enjoy the question you included on wealth's effect on people.
    This would be a very good start of a debate for a class.
    Your paper was also very well written!
    You did a wonderful job!

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    1. Emily,

      Thank you for catching that about wealth - I wish I had had more time and space to flesh out that thought!

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